
I have seen the future of acoustic music…
By Mike Buchman
I have seen the future of acoustic music and it is bright. Boys and girls, barely tweens to late teens, with shiny smiles, braces, a touch of acne and a predilection for playing well beyond their years on clawhammer banjo, fiddle and other string band instruments. They were sitting on the floor at the foot of the Grand Ballroom mainstage at Wintergrass 2010 as Saturday slipped into Sunday, watching a few of their beloved mentors, Mike Marshall and Darol Anger jamming with the Swedish superstars Väsen. They were bouncing in a nascent line dance and swinging their young brothers and sisters while belting out the lyrics to Ramblin’ Jack’s Railroad Bill at the raucous set of the youth movement’s senior citizens, Boston-based string band Crooked Still.
They are pre-pubescent veterans of Wintergrass Academy and similar education efforts at festivals all around the country, a new generation trained by superstars who are themselves still in their late teens and early 20’s, and they are ready to take over the world, God love 'em! They are making music with neither definition nor boundary, gleefully mashing Lester’s G-runs with world beats and trad sounds from around the globe.
Take for example Tatiana Hargreaves, a 14-year old sprite from Corvallis, OR, who joined Crooked Still for a song during their afternoon set Saturday. She’s the younger sister of Alex Hargreaves, the 19-year old fiddle phenom who recently released an album featuring the omni-present Mike Marshall and was featured this Wintergrass in the band of 18-year old Sarah Jarosz. More about them in a second.
In one song it was Tatiana who embodied the riches to come in acoustic string band music. Jamming twin fiddles with the other worldly 20-something Brittany Haas, and standing next to 5-time national Old Time Fiddle Champion Tristan Clarridge who holds down the cello chair in Crooked Still, Tatiana stole the ears and hearts away from her slightly older peers, yes peers, then walked off the stage to warm hugs from the Still.
Wintergrass is a now legendary gathering of the tribe, and the tribe is
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Announcing two new forums for members
Remember when you were able to place an ad in the Review for that extra guitar you had hangin' around? Or were you looking for some potential bandmates? Here's our online solution -- and it's free to Registered Members of the VictoryMusic.org website.
Classified Ads Go to the main menu Community: Discussion Board: Classified Ads This forum is for registered users of Victory Music. Registered individuals, musicians and groups can use it to post music related items for sale, lessons, services, etc. Also use it to find other musicians to play with, jams,
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CALL TO PERFORMING ARTISTS
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MARCH 22 DEADLINE LOOMING FOR ARTS NORTHWEST SHOWCASE APPLICATIONS
PORT ANGELES, Wash. (Feb. 23, 2010) -- Applications for juried showcases at the 30th annual Arts Northwest Booking Conference are due March 22. The conference -- this year slated for Oct. 14-17 in Bellevue, Wash. -- is the region's largest gathering of performing artists, artist managers, booking agents, and presenters like theatres, festivals, college activities boards, and community arts councils, concert associations, and parks departments.
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The Victory Review Archives Project
Editor Note: We think it's worth putting many of the articles written for the Review on this site, making them search-able, and also posting PDF's of the each entire issue as well for historical value. I'm excited about having an online record of this resource! It's definitely a project that will take some time. If you are one of the writers of these past articles and have your writing in electronic format, sending those articles to us will save lots of volunteer time. If this excites you too, and you would like to help, please let me know. This will consist of typing the articles after they are scanned and emailing them to me.
Now for the first installment:
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Bluegrass/Local 
Deadwood Revival: Saturday 7:30
https://www.cdbaby.com/Artist/DeadwoodRevival
Deadwood Revival rocks in a Bluegrass kind of way. This live album includes original and traditional as well as covers of Grateful Dead and Johnny Cash, and they do indeed lend their own touch and performance energy to all of the tunes. In the finest tradition of long jams, Trenerry's 'Matties Jam/Shake the Barnhouse Down' delivers the core of bluegrass tradition at length with their range and morphism and reveals once again an obvious fondness for the Grateful Dead. The long jam here is simply extended joy for players and listeners alike.
A slight departure from straight bluegrass there's 'Big River' where they'll spend the intro
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